I’m a little envious of my son—he’s gotten to go to Ashland twice this year to see plays at the Oregon Shakespeare Festival. He’s seen nine different plays there this year, two of them twice.
For the first trip this year he went with Alternative Family Education, as part of their Dramatic Literature course in spring semester. They teach the course each year around the plays that they’ll be seeing in Ashland—he’s taken the course three times and enjoyed it each time (except for some of the written assignments). The first time he went, I was on sabbatical, so took the time to travel with the group as a “chaperone”—we’d had to fly to Ashland separately, rather than travel with them on the bus, because the trip left the day of the state science fair, though we both rode the bus home. Since then he’s been able to travel both ways with the school group, but I’ve always had a heavy teaching load in the spring, and couldn’t justify skipping class for a pleasure trip to Ashland.
Last week, he traveled with a group from West Performing Arts. This is the first time that WEST has done an Ashland trip, and it was planned at the last minute, so they were not able to get enough tickets or transportation for parents to accompany the group. It was a smaller group than the AFE—only ten teens and two adults. They were originally planning to see five plays, but while they were in Ashland they managed to get the last twelve standing-room tickets to Into the Woods, so they ended up seeing six plays—a pretty intense schedule with only three hotel nights! They didn’t do as many workshops as the AFE group, but a lot of the workshops are aimed at general school groups, not at kids who had as much theater training as this group. I don’t think that the teens minded not having a lot of workshops—most of them had just finished a two-week intensive Shakespeare conservatory, and all of them had done at least one of the Shakespeare conservatories (either this year or in a previous year). It was an older group than the AFE trip also, as three of the teens were 18 or older and had graduated from high school.
I had some time this summer and could have gone myself, but arranging my own transportation and lodging at the last minute did not appeal to me, and my wife was not particularly interested in going there. She would travel to see world-class opera, particularly if the destination also had great art museums, but not for theater—the local productions are high enough quality for her and not much trouble to attend. We had season tickets for Santa Cruz Shakespeare this year (as we did for Shakespeare Santa Cruz most previous years), and we’ve got season tickets for next year’s Jewel Theatre season. We’ll also go to 8 tens at 8, an annual production of 8 new (or fairly new) ten-minute one-acts, and probably the best of the rest, a staged reading of another 8 from the pool considered for 8 tens at 8. We also usually see the Shakespeare To Go performance, though not together—my wife sees it when they tour to her school, and I see the last performance they do, up on the UCSC campus. We’ll probably also go to the WEST Ensemble Players performances and the summer teen show by WEST. Though our son won’t be in them any more, we still know a number of the actors and they kids usually do a good job (tickets are cheap also). If Santa Cruz Shakespeare puts on a holiday pantomime this year, we’ll probably go to that to, and possibly go to see the long-form improv group Freefall at one of their shows.
We’ll be going to one more WEST Performing Arts performance this year—a fund-raiser for their scholarship program this Friday. This is not a rehearsed production—they’ve just requested a number of their more reliable actors to do monologues or sketches. So my son will have one last chance to perform at West End Studio Theatre, though he hasn’t decided what he’ll do yet.
So with 14 or 15 theater events a year, and more available if we wanted them (UCSC stages several plays every quarter, but we rarely go to any of them), it isn’t as if I was starving for theater. My wife doesn’t get to anywhere near that number of operas (a few in San Jose and a few in San Francisco) and has to make do with broadcasts in the movie theater—and I wasn’t counting the broadcasts of National Theatre London that we see at the movie house, so I shouldn’t count opera broadcasts either. I’ve no cause for complaint.
Still, the Oregon Shakespeare Festival has a bigger budget than anything in Santa Cruz and produces some pretty impressive shows—I would like to see them again. Maybe next year.