This is the last weekend for Santa Cruz Shakespeare (one show tonight, two each on Saturday and Sunday). I’ve seen all three plays this year, and definitely liked the Hamlet best (see 2016 Santa Cruz Shakespeare season and Santa Cruz Shakespeare has released Hamlet photos).
Santa Cruz Shakespeare has just released the photo call for the intern’s fringe show, Orlando, which we saw in the sold-out closing performance last Wednesday. The intern’s shows are always lively, low-budget romps, and this one was no exception. The directing reminded me a lot of the directing that John Pasha has done for the conservatories at WEST—a lot of choral work and lines split among several actors. I don’t know whether this is just currently trendy (perhaps to equalize the number of lines per actor) or whether it is a considered choice for actors who are not quite up to long monologues and dialogues. Either way, it worked fairly well, and the cross-dressing and gender changing played well to a Santa Cruz audience. (Note: Orlando is all about gender roles and gender changing, so this was not a Santa Cruz interpretation put uncomfortably onto the play, but integral to the original concept.)
My son went to Ashland last week with WEST to see six plays at the Oregon Shakespeare Festival. OSF was also doing Hamlet this summer, but their take on it had heavy metal guitar music. My son reported that the OSF Hamlet was good, but not as good as the Santa Cruz one (which he saw twice, once with us and once with the WEST conservatory group). I can see heavy metal music as appropriate for Hamlet, but not for Ophelia, whose madness is of a gentler sort.