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2018 November 6

Back from Goleta

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Yesterday I came back from a weekend trip down to UCSB to see my son perform in a play.

Originally, I was going to stay in a bedroom in Goleta that I reserved through AirBnB, but the host cancelled at the last moment (Thursday, when I was taking Amtrak down on Friday).  The reason for cancellation was a good one—her mother had died and she had to fly to China for the funeral—but it left me scrambling for housing.  Weeks earlier, I had tried the UCSB faculty club and a few of the local hotels, but they were all booked up—they still were on Thursday.  I checked for other AirBnB listings, but the only ones within 3 miles of campus were all booked.  Finally, I ended up at the new Hilton Garden Inn at the corner of Storke and Hollister, at a much higher room rate than I would have had if I’d booked there originally, instead of trying AirBnB.  The AirBnB cancellation meant that trip ended up costing me $550 more than I had expected. The reason I had so much trouble getting a room turned out to be that last weekend was the “Parent and Family Night” for UCSB, so there were many more people wanting to be in Goleta than usual.

I took a different route to UCSB this time: Highway 17 express bus, Amtrak 4796 bus to San Luis Obispo, and Pacific Surfliner to Goleta, though the return trip was my usual Coast Starlight from Santa Barbara and Highway 17 Express.  The Amtrak buses are marginally more comfortable than Greyhound, and the King City stop and lunch break is at a MacDonald’s instead of a convenience store, but the bus part of the trip was still uncomfortable.  I had chosen the Surfliner because it has a much better on-time record than the Coast Starlight—even though my margin for getting to the Friday night performance was tighter with the Surfliner, I felt that there was a better chance of making it.

Indeed the Surfliner was only a few minutes late, and I caught a taxi from the Goleta train station directly to the UCSB campus.  The taxi was a bit pricier than I expected ($20 for the 3.2-mile ride), but I got to the Studio Theater on campus before the house opened.

My son was performing in the Fall 2018 One Acts, which are capstone projects for the five students in the directing concentration of the Theater Arts BA.  He was cast as Roderick in The Ballad of 423 and 424 by Nicholas C. Pappas, who is a faculty member at Moorpark College, a community college near Simi Valley, about 76 miles from UCSB.  It turns out that the director for the play, Stefan James, had been a student of Pappas at Moorpark and had pushed to have the play included in the fall lineup.

All five of the plays in the show were good—well directed and well acted, but The Ballad of 423 and 424 was clearly the best of them.  OK, I’m a parent and I’m likely to be biased, but it really did have the best script. I’m hoping I get a chance to see some more work by Nicholas Pappas—he packed more humor and more pathos into a 15-minute one act than I’ve seen in many full-length plays.

he Ballad of 423 and 424 was the last play on the program, traditionally the place for the strongest or funniest piece, so I was hopeful that it would be particularly good.  All I knew about the piece going in was the description of the parts that had been on the callboard and the description on the Playscripts licensing site:

When a new neighbor moves in next door to one of the most popular and reclusive novelists in the world, she knocks his entire obsessive routine out of balance. In this opening-and-closing-door ballet of love and loneliness, will either be brave enough to answer the other’s knock?

It turned out to be a nearly perfect part for my son—he was completely convincing as Roderick, and his body language and timing were just right. There were more laughs for the play than for any of the other comic pieces and more tears from the audience in the sad moments.  Even seeing the performance three times (Fri, Sat, Sun), I still teared up at saddest scene.

At opening night his performance was praised by several people after the show, including the head of the BFA acting program (Daniel Stein) and the playwright himself, who had come to UCSB to see the performance. After the second show, he also got praise on his comedic timing from a man who had been in comedy for 30 years (the parent of one of the other actors).  As a parent, I was very gratified to see his excellence recognized by others—I’ve not just been fooling myself that acting is something he has gotten really good at.

Of course, he’s been acting for 18 of his 22 years and has been in over 80 classes and productions, so he’s had some time to polish his craft.

I was not able to take videos or even still photos during the performances, but I did get a few posed shots after the performances were over, before the stage crew struck the set.

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